Ever wanted to know how music affects your brain, what quantum mechanics really is, or how black holes work? Do you wonder why you get emotional each time you see a certain movie, or how on earth video games are designed? Then you’ve come to the right place. Each week, Sean Carroll will host conversations with some of the most interesting thinkers in the world. From neuroscientists and engineers to authors and television producers, Sean and his guests talk about the biggest ideas in science, philosophy, culture and much more.
It’s all well and good to talk abstractly about morality and justice, but at some point you have to sit down and figure out what to do about people who break the rules. In our modern legal system, mostly that involves incarceration, especially for so-called “street crimes.” Here in the US, we’ve taken that strategy to extremes, leading the world in the number of incarcerated people per capita. How do we decide who goes to prison, and how should we decide? I talk with criminologist Charis Kubrin on how the justice system distinguishes guilt from innocence. We discuss one interesting issue at length: the use of rap lyrics written by defendants as evidence of guilt. What role should artistic creations play in deciding someone’s culpability of a crime?
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Charis Kubrin received her Ph.D. from the University of Washington. She is currently a professor of Criminology and Law and Society at the University of California, Irvine. She is co-author of the textbook Introduction to Criminal Justice: a Sociological Perspective. Among her awards are the Ruth Shonie Cavan Award and the Coramae Richey Mann Award from the American Society of Criminology, and the W.E.B. DuBois Award and the Paul Tappan Award from the Western Society of Criminology.
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