Grave Tone is your all-access pass to the horror genre across books, film, TV, and games. From cult classics to fresh nightmares, we dig into the stories that scare us and why we love them. If it bleeds, reads, streams, or screams… it’s on Grave Tone.
It’s officially spooky-season kickoff, so we caught The Conjuring: Last Rites on release day (Sept 5) and hit record the moment we got home. Expect raw, sleepy-brain honesty and lots of laughs.
We frame where The Conjuring 4 lands in the Conjuring Universe and why folks keep flocking to these movies, plus that “Phase One/Phase Two” chatter that’s circulating.
What we liked: glossy atmosphere, strong performances, stellar makeup/prosthetics, and a few mean jump-scares (yes, including one very large… Annabelle). What didn’t: a long, long runway before the Warrens actually “take the case,” and franchise-familiar beats.
- Opening-night chaos & set-up
- Where this sits in the Conjuring Universe
- What worked
- What didn’t
- Smurl-haunting beats
- Why mainstream horror keeps the blood pumping
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