For every horror title to hit V.O.D ... there are countless others that end up D.O.A. ... DEVELOPMENT HELL is the podcast dedicated to unearthing these cursed horror productions, to find out what went wrong, and decide if they still stand a shot at the green light.
Join Dread Central's managing editor, Josh Korngut, as he digs up the dirt on the best horror movies never made. Discover dead projects like ALIEN 5, BEETLEJUICE GOES HAWAIIAN, HALLOWEEN 3D, FREDDY VS. JASON VS. ASH, and many more.
Josh also picks the brains of some of the most exciting voices in horror, like Elvira (ELVIRA MISTRESS OF THE DARK), Radio Silence (SCREAM 6), Grady Hendrix (MY BEST FRIEND'S EXORCISM), Carter Smith (THE RUINS), Peaches Christ (ALL ABOUT EVIL), Simon Barrett (YOU'RE NEXT), and William Brent Bell (ORPHAN: FIRST KILL).
DEVELOPMENT HELL is a proud member of the Dread Podcast Network. Subscribe today!
On this inaugural IN REVIEW episode of Development Hell, horror journalist Chad Collins joins Josh Korngut to break down one of the most talked-about genre films of the year so far—The Rule of Jenny Pen.
Is The Rule of Jenny Pen destined to be a new cult classic, or will it fade into horror obscurity? Tune in to find out.
Subscribe to Development Hell for more deep dives into horror’s most fascinating films—both the ones that made it to the screen and those that got lost along the way.
Follow guest Chad Collins and check out his reviews here.
For every horror title to hit V.O.D, countless others end up D.O.A. Development Hell is the podcast dedicated to unearthing these cursed horror productions — to find out what went wrong — and decide if they still stand a shot at the green light. Make sure to check out past episodes, including Neill Blomkamp’s Alien V, the canceled Hellraiser reboot, and Freddy vs. Jason vs. Ash!
Development Hell is a proud member of the DREAD Podcast Network.
Theme music by Drew Pidgeon
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
