For every horror title to hit V.O.D ... there are countless others that end up D.O.A. ... DEVELOPMENT HELL is the podcast dedicated to unearthing these cursed horror productions, to find out what went wrong, and decide if they still stand a shot at the green light.
Join Dread Central's managing editor, Josh Korngut, as he digs up the dirt on the best horror movies never made. Discover dead projects like ALIEN 5, BEETLEJUICE GOES HAWAIIAN, HALLOWEEN 3D, FREDDY VS. JASON VS. ASH, and many more.
Josh also picks the brains of some of the most exciting voices in horror, like Elvira (ELVIRA MISTRESS OF THE DARK), Radio Silence (SCREAM 6), Grady Hendrix (MY BEST FRIEND'S EXORCISM), Carter Smith (THE RUINS), Peaches Christ (ALL ABOUT EVIL), Simon Barrett (YOU'RE NEXT), and William Brent Bell (ORPHAN: FIRST KILL).
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A big-budget adaptation of Stephen King's 'SALEM'S LOT was announced back in 2019 with ANNABELLE COMES HOMES director Gary Dauberman attached. The movie went into production and was ready for release until constant delays removed the film from the Warner Brothers calendar indefinitely. Stephen King professional Jenn Adams joins the conversation to unpack what exactly is going on. Will 'SALEM'S LOT ever be released? And if so, what will be left of it? Find out on the latest episode of Development Hell.
References:
The Hollywood Reporter & Deadline
Follow Jenn Adams here.
Check out The Loser's Club podcast
And read her writing at Dread Central
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Twitter - @DevelHellPod
Instagram - @DevelopmentHellPod
Facebook - DevelopmentHellPod
Subscribe to the Development Hell podcast!
For every horror title to hit V.O.D, countless others end up D.O.A. Development Hell is the podcast dedicated to unearthing these cursed horror productions — to find out what went wrong — and decide if they still stand a shot at the green light. Make sure to check out past episodes, including Neill Blomkamp’s Alien V, the canceled Hellraiser reboot, and Freddy vs. Jason vs. Ash!
Development Hell is a proud member of the DREAD Podcast Network.
Theme music by Drew Pidgeon
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