We have reached the end (for now) of Miyazaki Club. So we gather back together to consider why we’re drawn to Hayao Miyazaki’s work, how we define the differences between films as different as “Ponyo” and “Spirited Away,” a list of the director’s favorite things, subs versus dubs, the music of Joe Hisaishi, and which of Miyazaki’s movies we all prefer.

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